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OCR GCSE AOS 2: The concerto through time - The Classical concerto
Available with full membership

OCR GCSE AOS 2: The concerto through time - The Classical concerto

Specialist teaching resource for GCSE
OCR Areas of Study

Teaching materials with supporting teacher notes, covering key aspects of the concerto and orchestra of the Classical period. Features of the three movement form, the evolution of sonata form from rounded binary form, role of the cadenza, modulation, texture, harmonic language, ornamentation and compositional devices explored in context. This resource includes thumbprints of style, aural training, practice questions, extended writing training, exam style questions, moderation exercises, and single line scores for dictation practice. Rehearsing and performing tasks enable students to get hands-on experience connecting melody and harmony of the period. An additional wider listening playlist provides starting points for further questions to broaden and deepen students' understanding of period and genre.

Elements - Metre
Available with full membership

Elements - Metre

Specialist teaching resource
Suitable for AQA, OCR, Edexcel and Eduqas GCSE specifications

Examples and practice questions focusing on the following specialist language: time signatures, simple duple, triple, quadruple, compound duple, triple, quadruple, asymmetric metres, metric change. This resource also includes an additional playlist to use as the basis for devising further questions.

GCSE composing workshops: How to write a countermelody
Available with full membership

GCSE composing workshops: How to write a countermelody

GCSE composition workshops and analysis
Specialist teaching resource and student support materials

Three composition workshops with supporting analytical listening resources that focus on the harmonic foundations of countermelody writing, development and elaboration of initial ideas, relationships between melodies and countermelodies, how to complement and enhance without crowding out the melody, effective deployment of countermelodies.