Latest

GCSE Listening And Appraising - Elements test 1
Available with full membership

GCSE Listening And Appraising - Elements test 1

Data drop lifesaver
Suitable for AQA, OCR, Edexcel and Eduqas GCSE specifications

40 minute test /50, suitable for all exam specifications comprising vocabulary questions (10 marks), three exam-style questions (40 marks), and a follow up review task to identify next steps. Questions on texture, rhythmic devices, phrasing, cadences, metre, pulse, timbre, tonality, texture, melodic recognition, melodic dictation, melodic description, comparison question.

Four-part harmony exercise 19
Available with full membership

Four-part harmony exercise 19

Suitable for all exam boards that have an SATB J.S.Bach chorale four part harmony question
classwork, tests, cover, homework, revision

Great progressions built from 2 or 3 chords. These exercises are to get students used to the idea that they’re going to find themselves with knotty problems that need unravelling, re-working and rethinking. It’s also to get them recognising that each phrase connects with the one before and after it. No phrase is an island. Horizontal thinking is just as important as vertical thinking. There's a lot to consider, even when you’re just using primary triads.

Four-part harmony exercise 18
Available with full membership

Four-part harmony exercise 18

Suitable for all exam boards that have an SATB J.S.Bach chorale four part harmony question
classwork, tests, cover, homework, revision

Rooty progressions and same chord inversions. Three progressions that explore root chord progressions, adjacent root position chords and adjacent root and first inversions of the same chord.

Four-part harmony exercise 17
Available with full membership

Four-part harmony exercise 17

Suitable for all exam boards that have an SATB J.S.Bach chorale four part harmony question
classwork, tests, cover, homework, revision

Great double acts - V7d - Ib and friends. Because root V7 - root I is such a weighty partnership, it’s not a combination you want students using all over the place. The two chords have really strong bonds in certain inversion combinations too, and are endlessly useful for lightening mid-chorale cadences and for anacruses.

Four-part harmony exercise 16
Available with full membership

Four-part harmony exercise 16

Suitable for all exam boards that have an SATB J.S.Bach chorale four part harmony question
classwork, tests, cover, homework, revision

VIIb and the 'passing 6/4'. In 'A level' harmony mark schemes, you commonly find the use of the passing 6/4 penalised, unless it is used leading up to a cadence like this: IVb - Ic - II7b - V - I. These exercises illustrate Bach's use of VIIb between root and first inversion chord I.

Four-part harmony exercise 15
Available with full membership

Four-part harmony exercise 15

Suitable for all exam boards that have an SATB J.S.Bach chorale four part harmony question
classwork, tests, cover, homework, revision

Four exercises to help students establish a handful of solutions when harmonising the chord before the approach chord.